Banque de Luxembourg
Fernando Guerra
Fernando Guerra is a pioneer in the way of photographing and communicating architecture. 24 years ago he opened the FG + SG studio in collaboration with his brother and together they are responsible for much of the dissemination of contemporary Portuguese architecture over the last twenty-four years.
Fernando Guerra is an architectural photographer. His training, however, is that of an architect. His gaze is divided between two different ways of building the world. Due to this circumstance, he finds himself in a privileged position to lead the metamorphosis of the photographic field that will make this practice of image creation come to be identified, in part, with the architectural field itself. In order to understand the space, the architects, possibly with a more conscious intention than the simple users, move around the buildings. They capture the spatiality of architecture wandering around, scrutinizing, making associations of ideas, shapes, dimensions. It is through this movement that they discover the infinite variables of architectural space, the singularities that distinguish a significant space.
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Vito Labalestra
Vito is a pioneer in the way of photographing and communicating architecture. 24 years ago he opened the FG + SG studio in collaboration with his brother and together they are responsible for much of the dissemination of contemporary Portuguese architecture over the last twenty-four years.
Fernando Guerra is an architectural photographer. His training, however, is that of an architect. His gaze is divided between two different ways of building the world. Due to this circumstance, he finds himself in a privileged position to lead the metamorphosis of the photographic field that will make this practice of image creation come to be identified, in part, with the architectural field itself. In order to understand the space, the architects, possibly with a more conscious intention than the simple users, move around the buildings. They capture the spatiality of architecture wandering around, scrutinizing, making associations of ideas, shapes, dimensions. It is through this movement that they discover the infinite variables of architectural space, the singularities that distinguish a significant space